Romantic Love Picture Biography
Romance is the expressive and pleasurable feeling from an emotional attraction towards another person associated with love.In the context of romantic love relationships, romance usually implies an expression of one's strong romantic love, or one's deep and strong emotional desires to connect with another person intimately or romantically. Historically, the term "romance" originates with the medieval ideal of chivalry as set out in its Romance literature.Humans have a natural inclination to form bonds with one another through social interactions, be it through verbal communication or nonverbal gestures. With some individuals, these social interactions can span beyond what one would typically view as a platonic relationship. Positive romantic relationships are a crucial part of society in that not only do these relations affect those that are in participation, but they can also have an influence on those that are in close vicinity ometimes, what may be viewed as tradition does not allow for as much of a range that is realistically present among those that are aiming for a healthy positive relationship. Some traditional approaches place certain responsibilities or unsaid assumptions on each party, where each person is expected to act a certain way simply because that's how it's supposed to be. With positive psychology, there seems to be a push for a more equal division of responsibilities regardless of sex, gender, or any other circumstances. Each individual can learn about love on more than one level; there is an acknowledgment of the word having multiple meanings, as well as relationships having multiple outcomes, as a result of previous attachment patterns in other social domains The debate over an exact definition of romantic love may be found in literature as well as in the works of psychologists, philosophers, biochemists and other professionals and specialists. Romantic love is a relative term, but generally accepted as a definition that distinguishes moments and situations within intimate relationships to an individual as contributing to a significant relationship connection.The addition of drama to relationships of close, deep and strong love.During the initial stages of a romantic relationship, there is more often more emphasis on emotions—especially those of love, intimacy, compassion, appreciation, and affinity—rather than physical intimacy. Romantic love in the early stages is often characterized by uncertainty, along with emotional anxiety that love may not be returned:Love is this way: You're on one side of the edge of a canyon -- windy, deep, sunny, steep. Your lover's on the other. You wave to each other across the divide. You have a parachute. Your lover has a parachute. But the cords to open the parachutes are on the BACK not the front so only your lover can open your parachute for you, and you for your lover. You pause. Are you ready to jump? Will your lover jump too? If you and your lover jump simultaneously, grasp mid-air and yank each other's cords, you'll glide sweetly to your getaway island where a candlelight dinner awaits. If one thing goes wrong, a glitch in timing, a puff of wind, the slightest hesitation -- you'll be crushed on the rocks below.Within an established relationship, romantic love can be defined as a freeing or optimizing of intimacy in a particularly luxurious manner (or the opposite as in the "natural"), or perhaps in greater spirituality, irony, or peril to the romantic relationship.In culture, arranged marriages and betrothals are customs that may conflict with romance due to the nature of the arrangement. It is possible, however, that strong and close romance and love can exist between the partners in an arranged marriage.Historians believe that the actual English word "romance" developed from a vernacular dialect within the French language meaning "verse narrative"—referring to the style of speech, writing, and artistic talents within elite classes. The word was originally an adverb of the Latin origin "Romanicus," meaning "of the Roman style." The connecting notion is that European medieval vernacular tales were usually about chivalric adventure, not combining the idea of love until late into the seventeenth century.The word romance has also developed with other meanings in other languages such as the early nineteenth century Spanish and Italian definitions of "adventurous" and "passionate", sometimes combining the idea of "love affair" or "idealistic quality."In primitive societies, tension existed between marriage and the erotic, but this was mostly expressed in taboo regarding the menstrual cycle and birth.Anthropologists such as Claude Lévi-Strauss show that there were complex forms of courtship in ancient as well as contemporary primitive societies. There may not be evidence, however, that members of such societies formed loving relationships distinct from their established customs in a way that would parallel modern romance.Before the 18th century, as now, there were many marriages that were not arranged – having risen out of more or less spontaneous relationships. After the 18th century, illicit relationships took on a more independent role. In bourgeois marriage, illicitness may have become more formidable and likely to cause tension.[citation needed] In Ladies of the Leisure Class, Rutgers University professor Bonnie G. Smith depicts courtship and marriage rituals that may be viewed as oppressive to modern people. She writes "When the young women of the Nord married, they did so without illusions of love and romance. They acted within a framework of concern for the reproduction of bloodlines according to financial, professional, and sometimes political interests." Subsequent sexual revolution has lessened the conflicts arising out of liberalism, but not eliminated them.Anthony Giddens, in his book The Transformation of Intimacy: Sexuality, Love and Eroticism in Modern Society, states that romantic love introduced the idea of a narrative into an individual's life. He adds that telling a story was one of the meanings of romance. According to Giddens, the rise of romantic love more or less coincided with the emergence of the novel. It was then that romantic love, associated with freedom and therefore the ideals of romantic love, created the ties between freedom and self-realization.David R. Shumway, in his book Romance, Intimacy, and The Marriage Crisis, states that the discourse of intimacy emerged in the last third of the 20th century and that this discourse claimed to be able to explain how marriage and other relationships worked. For the discourse of intimacy emotional closeness was much more important than passion. This does not mean by any means that intimacy is to replace romance. On the contrary, intimacy and romance coexist The 21st century has seen the growth of globalization and people now live in a world of transformations that affect almost every aspect of our lives, and love has not been the exception. One example of the changes experienced in relationships was explored by Giddens regarding homosexual relationships. According to Giddens since homosexuals were not able to marry they were forced to pioneer more open and negotiated relationships. This kind of relationships then permeated the heterosexual population.Shumway also states that together with the growth of capitalism the older social relations dissolved, including marriage. Marriage meaning for women changed as they had more socially acceptable alternatives and were less willing to accept unhappy relations and, therefore, divorce rates severely increased.The discourse of romance continues to exist today together with intimacy. Shumway states that on the one hand, romance is the part that offers adventure and intense emotions while offering the possibility to find the perfect mate. On the other hand, intimacy offers deep communication, friendship, and long lasting sharing.The conception of romantic love was popularized in Western culture by the concept of courtly love. Chevaliers, or knights in the Middle Ages, engaged in what were usually non-physical and non-marital relationships with women of nobility of whom they served. These relations were highly elaborate and ritualized in a complexity that was steeped in a framework of tradition, which stemmed from theories of etiquette derived out of chivalry as a moral code of conduct.Courtly love and the notion of domnei were often the subjects of troubadours, and could be typically found in artistic endeavors such as lyrical narratives and poetic prose of the time. Since marriage was commonly nothing more than a formal arrangement,[6] courtly love sometimes permitted expressions of emotional closeness which may have been lacking from the union between husband and wife. In terms of courtly love, "lovers" did not necessarily refer to those engaging in sexual acts, but rather, to the act of caring and to emotional intimacy.The bond between a knight and his Lady, or the woman of typically high stature of whom he served, may have escalated psychologically but seldom ever physically. For knighthood during the Middle Ages, the intrinsic importance of a code of conduct was in large part as a value system of rules codified as a guide to aid a knight in his capacity as champion of the downtrodden, but especially in his service to the Lord.In the context of dutiful service to a woman of high social standing, ethics designated as a code were effectively established as an institution to provide a firm moral foundation by which to combat the idea that unfit attentions and affections were to ever be tolerated as "a secret game of trysts" behind closed doors. Therefore, a knight trained in the substance of "chivalry" was instructed, with especial emphasis, to serve a lady most honorably, with purity of heart and mind. To that end, he committed himself to the welfare of both Lord and Lady with unwavering discipline and devotion, while at the same time, presuming to uphold core principles set forth in the code by the religion by which he followed.Religious meditations upon the Virgin Mary were partially responsible for the development of chivalry as an ethic and lifestyle: the concept of the honor of a lady and knightly devotion to her, coupled with an obligatory respect for all women, factored prominently as central to the very identity of medieval knighthood. As knights were increasingly emulated, eventual changes were reflected in the inner-workings of feudal society. Members of the aristocracy were schooled in the principles of chivalry, which facilitated important changes in attitudes regarding the value of women.Behaviorally, the manner in which a knight was to regard himself towards a lady, was with a transcendence of premeditated thought; his virtue ingrained within his character. A chevalier was to conduct himself always graciously, bestowing upon her the utmost courtesy and attentiveness. He was to echo shades of this to all women, regardless of class, age, or status. Over time, the concept of chivalry and the notion of the courtly gentleman became synonymous with the ideal of how love and romance should exist between the sexes. Through the timeless popularization in art and literature of tales of knights and princesses, kings and queens, a formative and long standing (sub)consciousness helped to shape relationships between men and women.De amore or The Art of Courtly Love, as it is known in English, was written in the 12th century. The text is widely misread as permissive of extramarital affairs. However, it is useful to differentiate the physical from without: romantic love as separate and apart from courtly love when interpreting such topics as: "Marriage is no real excuse for not loving", "He who is not jealous cannot love", "No one can be bound by a double love", and "When made public love rarely endures".Some believe that romantic love evolved independently in multiple cultures. For example, in an article presented by Henry Grunebaum, he argues "therapists mistakenly believe that romantic love is a phenomenon unique to Western cultures and first expressed by the troubadours of the Middle Ages."
The more current and Western traditional terminology meaning "court as lover" or the general idea of "romantic love" is believed to have originated in the late nineteenth and early twentieth centuries, primarily from that of the French culture. This idea is what has spurred the connection between the words "romantic" and "lover," thus coining English phrases for romantic love such as "loving like the Romans do." The precise origins of such a connection are unknown, however. Although the word "romance" or the equivalents thereof may not have the same connotation in other cultures, the general idea of "romantic love" appears to have crossed cultures and been accepted as a concept at one point in time or another.Romantic love is contrasted with platonic love, which in all usages, precludes sexual relations, yet only in the modern usage does it take on a fully asexual sense, rather than the classical sense in which sexual drives are sublimated. Sublimation tends to be forgotten in casual thought about love aside from its emergence in psychoanalysis and Nietzsche.
Unrequited love can be romantic in different ways: comic, tragic, or in the sense that sublimation itself is comparable to romance, where the spirituality of both art and egalitarian ideals is combined with strong character and emotions. Unrequited love is typical of the period of romanticism, but the term is distinct from any romance that might arise within it.Romantic love may also be classified according to two categories, "popular romance" and "divine or spiritual" romance:may include but is not limited to the following types: idealistic, normal intense (such as the emotional aspect of "falling in love"), predictable as well as unpredictable, consuming (meaning consuming of time, energy and emotional withdrawals and bids), intense but out of control (such as the aspect of "falling out of love") material and commercial (such as societal gain mentioned in a later section of this article), physical and sexual, and finally grand and demonstrative.
Divine (or spiritual) romancemay include, but is not limited to these following types: realistic, as well as plausible unrealistic, optimistic as well as pessimistic (depending upon the particular beliefs held by each person within the relationship.), abiding (e.g. the theory that each person had a predetermined stance as an agent of choice; such as "choosing a husband" or "choosing a soul mate."), non-abiding (e.g. the theory that we do not choose our actions, and therefore our romantic love involvement has been drawn from sources outside of ourselves), predictable as well as unpredictable, self-control (such as obedience and sacrifice within the context of the relationship) or lack thereof (such as disobedience within the context of the relationship), emotional and personal, soulful (in the theory that the mind, soul, and body, are one connected entity), intimate, and infinite (such as the idea that love itself or the love of a god or God's "unconditional" love is or could be everlasting)In spite of difference of soil and climate, of language and manners, of laws and customs, in spite of things silently gone out of mind and things violently destroyed, the Poet binds together by passion and knowledge the vast empire of human society, as it is spread over the whole earth, and over all time. The objects of the Poet’s thoughts are everywhere; though the eyes and senses of man are, it is true, his favorite guides, yet he will follow wheresoever he can find an atmosphere of sensation in which to move his wings. Poetry is the first and last of all knowledge—it is as immortal as the heart of man.”—William Wordsworth, “Preface to Lyrical Ballads"Romanticism was arguably the largest artistic movement of the late 1700s. Its influence was felt across continents and through every artistic discipline into the mid-nineteenth century, and many of its values and beliefs can still be seen in contemporary poetry.It is difficult to pinpoint the exact start of the Romantic movement, as its beginnings can be traced to many events of the time: a surge of interest in folklore in the mid- to late-eighteenth century with the work of the brothers Grimm, reactions against neoclassicism and the Augustan poets in England, and political events and uprisings that fostered nationalistic pride.Romantic poets cultivated individualism, reverence for the natural world, idealism, physical and emotional passion, and an interest in the mystic and supernatural. Romantics set themselves in opposition to the order and rationality of classical and neoclassical artistic precepts to embrace freedom and revolution in their art and politics. erman romantic poets included Fredrich Schiller and Johann Wolfgang von Goethe, and British poets such as Wordsworth, Samuel Taylor Coleridge, Percy Bysshe Shelley, George Gordon Lord Byron, and John Keats propelled the English Romantic movement. Victor Hugo was a noted French Romantic poet as well, and romanticism crossed the Atlantic through the work of American poets like Walt Whitman and Edgar Allan Poe. The Romantic era produced many of the stereotypes of poets and poetry that exist to this day (i.e., the poet as a tortured and melancholy visionary).Romantic ideals never died out in poetry, but were largely absorbed into the precepts of many other movements. Traces of romanticism lived on in French symbolism and surrealism and in the work of prominent poets such as Charles Baudelaire and Rainer Maria Rilke
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Romantic Love Picture Lolove Pictures For Her For Him To Draw Tumblr For MySpace Animated For Facebook Download
Romantic Love Picture Lolove Pictures For Her For Him To Draw Tumblr For MySpace Animated For Facebook Download
Romantic Love Picture Lolove Pictures For Her For Him To Draw Tumblr For MySpace Animated For Facebook Download
Romantic Love Picture Lolove Pictures For Her For Him To Draw Tumblr For MySpace Animated For Facebook Download
Romantic Love Picture Lolove Pictures For Her For Him To Draw Tumblr For MySpace Animated For Facebook Download
Romantic Love Picture Lolove Pictures For Her For Him To Draw Tumblr For MySpace Animated For Facebook Download
Romantic Love Picture Lolove Pictures For Her For Him To Draw Tumblr For MySpace Animated For Facebook Download
Romantic Love Picture Lolove Pictures For Her For Him To Draw Tumblr For MySpace Animated For Facebook Download
Romantic Love Picture Lolove Pictures For Her For Him To Draw Tumblr For MySpace Animated For Facebook Download
Romantic Love Picture Lolove Pictures For Her For Him To Draw Tumblr For MySpace Animated For Facebook Download
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